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The origins of rock and roll are complex.

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Uptempo negro

The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music In the commercial rhythm and blues music typical of the s through the s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early s, it was frequently applied to blues records. It referred to music styles that developed from and incorporated electric blues , as well as gospel and soul music. By the s, the term "rhythm and blues" had changed once again and was used as a blanket term for soul and funk. It combines rhythm and blues with various elements of pop , soul, funk, disco , hip hop , and electronic music. Although Jerry Wexler of Billboard magazine is credited with coining the term "rhythm and blues" as a musical term in the United States in , [3] the term had been used in Billboard as early as According to him, the term embraced all black music except classical music and religious music , unless a gospel song sold enough to break into the charts. In the commercial rhythm and blues music typical of the s through the s, the bands usually consisted of piano, one or two guitars, bass, drums, and saxophone. Arrangements were rehearsed to the point of effortlessness and were sometimes accompanied by background vocalists. Simple repetitive parts mesh, creating momentum and rhythmic interplay producing mellow, lilting, and often hypnotic textures while calling attention to no individual sound. While singers are emotionally engaged with the lyrics, often intensely so, they remain cool, relaxed, and in control. The bands dressed in suits, and even uniforms, a practice associated with the modern popular music that rhythm and blues performers aspired to dominate. Lyrics often seemed fatalistic, and the music typically followed predictable patterns of chords and structure.

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Uptempo negro

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Africa and the Blues. The Guardian. Bogdanov, C. By contrast, musician and writer Billy Vera argued that because rock and roll was "an evolutionary process", it would be foolish to name any single record as the first. He does not consider them to be the first in the new genre. Archived from the original on May 27, Right outside Memphis, there was a voodoo village, all black-real mystic kind of people Archived from the original on January 27, Popular Music in America, 4th ed. August 10, — via Google Books. Sublette asserts: "In the context of the time, and especially those maracas [heard on the record], 'Bo Diddley' has to be understood as a Latin-tinged record.

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New Orleans musicians such as Bartholomew and Longhair incorporated Cuban instruments, as well as the clave pattern and related two-celled figures in songs such as "Carnival Day", Bartholomew and "Mardi Gras In New Orleans" Longhair Archived from the original on December 25, March 22, Archived from the original on July 8, Archived from the original on February 7, The Encyclopedia of Cleveland History. As musicians from different areas and cultures heard each other's music, so styles merged and innovations spread. Rolling Stone. The music historian Robert Palmer wrote that Goree Carter 's earlier song " Rock Awhile " is a "much more appropriate candidate" than "the more frequently cited" "Rocket 88". Retrieved June 17, — via Google Books. Durham, N. Bedrock black church music influenced blues, rural blues influenced white folk song and the black popular music of the Northern ghettos, blues and black pop influenced jazz, and so on. July 24, These processes of exchange and mixing were fueled by the spread of radio, 78 rpm and later records and jukeboxes , and the expansion of the commercial popular music business. The Rough Guide to the Blues.