Tin and tina explained

Released in and directed by Rubin Stein, the film follows Lola Milena Smit and Adolfo Jaime Lorentea newlywed couple who adopt a pair of strange twins following the loss of their first child.

Released in , Tin And Tina is a Spanish short film that has captivated audiences with its eerie and enigmatic storyline. Directed by Rubin Stein, this psychological horror film delves into the disturbing world of two siblings and their unsettling secrets. With an ending that leaves viewers questioning, in this article, we will analyze the Tin And Tina ending, explore 8 interesting facts about the film, and answer 16 common questions that arise after watching it. Tin And Tina revolves around two young siblings, Tin and Tina, who live alone in a dark and eerie house. The film begins innocently enough, with the siblings engaging in seemingly harmless activities. However, as the narrative progresses, we are exposed to their disturbing rituals and dark family secrets. The atmosphere is filled with tension and unease, keeping us on the edge of our seats throughout the film.

Tin and tina explained

Wait, so were the kids evil or not? Instead, we see them side by side after seemingly being at odds the entire film. So what happened? Lola is depressed because she not only miscarries a set of twins she was pregnant with, on her wedding day, but was also told she can never get pregnant again. Adolfo convinces her to adopt a child from the nearby convent to cheer her up. She ends up wanting to adopt two pale seven-year-old twins named Tin and Tina, after St. A series of dark events unfolds around the twins that makes Lola question everything about their true intentions and by the end of the film, the audience is questioning everything in the same way. After a tragic miscarriage, Lola and her husband Adolfo adopt Tin and Tina, a lovely brother and sister with an ultra-catholic education that makes them interpret Holy Bible verbatim. Towards the end of the film, Lola is at home with her husband and infant son, a miracle that her doctor told her would never happen. After fighting with Adolfo about his absence around the house and raising the newborn, the TV loses signal and Adolfo goes up to the roof to fix it. We hear the baby cry, which seemingly gets soothed either on its own or by presumably Adolfo. Then the power goes out and Adolfo is seen on fire crawling on the ground for help and setting the house ablaze in the process. Lola scrambles to try and find her baby and escape, eventually doing so. The main question about this first part of the ending is whether the children had anything to do with the house fire and the baby.

The movie connects to Catholicism through its use of Catholic themes and the character of Saint Augustine, and the twins' religious fervor plays a significant role in the plot. This time we catch them in the act, and they probably don't look like most viewers imagined.

The movie pairs creepy twins with religious horror to create an experience that will continually shock you as you watch it and will stick with you long after the credits roll. It may have suffered with critics , but writer-director Rubin Stein's debut is one of the best horror movies streaming right now. The movie somewhat channels "The Shining" as it makes its centerpiece the titular twins, religiously-obsessed children who have some unique ideas about what is right and wrong, and how those morals should be expressed. Played by Carlos G. Between all the obscured motives and deep religious imagery, the movie is begging its audience to ask questions — but we've already taken care of that and asked them all for you. The movie opens with Lola and Adolfo getting married, and the two of them seem overjoyed to be starting their lives together. That joy quickly fades when Lola starts bleeding through her wedding dress and needs to be rushed to the hospital.

Wait, so were the kids evil or not? Instead, we see them side by side after seemingly being at odds the entire film. So what happened? Lola is depressed because she not only miscarries a set of twins she was pregnant with, on her wedding day, but was also told she can never get pregnant again. Adolfo convinces her to adopt a child from the nearby convent to cheer her up. She ends up wanting to adopt two pale seven-year-old twins named Tin and Tina, after St. A series of dark events unfolds around the twins that makes Lola question everything about their true intentions and by the end of the film, the audience is questioning everything in the same way. After a tragic miscarriage, Lola and her husband Adolfo adopt Tin and Tina, a lovely brother and sister with an ultra-catholic education that makes them interpret Holy Bible verbatim. Towards the end of the film, Lola is at home with her husband and infant son, a miracle that her doctor told her would never happen. After fighting with Adolfo about his absence around the house and raising the newborn, the TV loses signal and Adolfo goes up to the roof to fix it.

Tin and tina explained

The movie pairs creepy twins with religious horror to create an experience that will continually shock you as you watch it and will stick with you long after the credits roll. It may have suffered with critics , but writer-director Rubin Stein's debut is one of the best horror movies streaming right now. The movie somewhat channels "The Shining" as it makes its centerpiece the titular twins, religiously-obsessed children who have some unique ideas about what is right and wrong, and how those morals should be expressed. Played by Carlos G. Between all the obscured motives and deep religious imagery, the movie is begging its audience to ask questions — but we've already taken care of that and asked them all for you.

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Then the baby is born and a new disaster strikes. The understated presentation of the scene perfectly balances its actual weight in the story. There are a number of great performances in "Tin and Tina," but the film wouldn't be nearly as enthralling without Milena Smit, who played Lola. The same question pervades the entire film, so it makes perfect sense that it would carry through to the film's climax. Hiding the specifics of the action forces viewers to imagine what's going on, and imagination is almost always worse than reality when it comes to horror. The adoption decision thrust the orthodoxy of parenting on him, and he reacted negatively. However, Lola's descent into religious fascination is one of the biggest wedges between them and Adolfo is seemingly punished by God when he is suddenly set on fire in a blaze that also consumes the entire house. Release Date May 26, It could be explained that the twins nearly killed the baby because they are young and don't understand, but their motivation is clearly to take possession of the baby's soul much in the same way they reactivated Lola's religious fervor. Eventually, Lola and Adolfo consider adopting to keep their dream of having a family alive and to get their relationship back on track. The film intentionally leaves the nature of the children's behavior ambiguous, forcing the audience to grapple with themes of perception, faith, and the unsettling nature of creepy children.

The Spanish horror film is indeed a perfect example of creepy story with two little twins as protagonists and a mother victim of the many misadventures happening around the family. The plot is fascinating, and the ending contains some symbols that must be explained.

In one of the most powerful images in the entire movie, Tin and Tina kidnap Lola's new baby and perform their own twisted version of a baptism. What has Milena Smit said about Tin and Tina? Why did Tina take control and manipulate her brother? The climax of the feature film, when Adolfo and Lola nearly break up just before their house burns down, is also filmed in one shot, harking back to the original project. Being that they are children, Tin and Tina's actions could be seen as entirely without malice since young kids don't understand that their actions have consequences. What is the meaning behind the disturbing rituals performed by the siblings? Towards the end of the movie, Lola discovers that she's pregnant. Does the film explore the theme of inherited trauma? It could be explained that the twins nearly killed the baby because they are young and don't understand, but their motivation is clearly to take possession of the baby's soul much in the same way they reactivated Lola's religious fervor. The choice was clearly an artistic one, and the twins' close association with Augustine also explains their rabid devotion to baptizing the baby later on. The open-ended nature of the ending was also intentional, as it allowed the audience to see things based on their own views on religion, forgiveness, and faith.