The badau

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This family grew with each passing day, first with employees, then with musicians and then with its regulars. It has an area of its own and a much larger capacity but maintains the small jazz club feel they set out. They have found the meaning of the word appropriate to both their guests and themselves. I wonder their stories, their excitements, the difficulties, and what they dream of. We start with the owner Eren Noyan. For those who do not know, he is also a jazz singer.

The badau

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Twenty years ago, the badau, while working together, he was more visionary than us and decided to limit his involvement in the music business as a musician, and now The badau wonder what got him back to the grindstone. This family grew with each passing day, first with employees, then with musicians and then with its regulars.

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This family grew with each passing day, first with employees, then with musicians and then with its regulars. It has an area of its own and a much larger capacity but maintains the small jazz club feel they set out. They have found the meaning of the word appropriate to both their guests and themselves. I wonder their stories, their excitements, the difficulties, and what they dream of. We start with the owner Eren Noyan. For those who do not know, he is also a jazz singer. At the end of the night, they paid us 5 TL each. Even if there is no audience, and if the musicians do not want to make music because of that, they will be given the agreed fee. I have seen it with my own eyes.

The badau

The badaud is an important urban type from 18th and 19th-century French literature, one that has been adapted to explain aspects of mass culture and modern experience. The term badaud plural: badauds comes from the French and has the basic meaning of "gawker", or more neutrally, "bystander". The term usually carries the connotation of idle curiosity, gullibility, simpleminded foolishness and gaping ignorance. It was an old inheritance, but was elaborated as an urban type in the eighteenth and nineteenth century to describe the street crowds that were an essential feature of the Parisian landscape. The term badauderie though not frequently used refers to the act of gathering in a street crowd or gawking. From the beginning the term described frivolous curiosity and ignorance. From the 17th century and after, the term was associated with Parisians. It is most frequently rendered in English as "gawker" or "bystander". Half a century later, Voltaire wrote: "If the people of Paris are most readily described as badauds, it is only because there are more people in Paris than elsewhere, and consequently more useless people. They gather at the first unfamiliar sight, to contemplate a charlatan, or two women of the people arguing, or a driver whose cart has overturned

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This family grew with each passing day, first with employees, then with musicians and then with its regulars. We never look at how famous a musician is, we look at whether he is a good musician. They have found the meaning of the word appropriate to both their guests and themselves. At The Badau, they share life through jazz and gastronomy. Gau eternal bat M. Lastly, I ask Eren Noyan what they intend to do about cooperations and sponsorship. We have a day menu until 7 in the evening. We have the infrastructure to get a live recording here. It has an area of its own and a much larger capacity but maintains the small jazz club feel they set out. This place is real with all its fights and negativity as well as all the good and beautiful sides and by not being a commercial project. The criterion is neither the reaction of the audience, nor the occupancy rate, nor the turnover of the evening. Our regulars and the residents from around here, but the environment is so comfortable that it is as if people have come to each other. Finally by The Birds I Heard. One comes in jeans, one in a suit but they all meet in a common sense, they share the same table and chat.

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They are trying to create a musical colour scale in the weekly program. It has an area of its own and a much larger capacity but maintains the small jazz club feel they set out. In songs that swing from giant and anthemic to distortion-caked and widescreen, Lightning Cult conjure galaxies of sound. Although we had legal permission until a. Yahya Dai, who sits at the same table with us, sipping his soup quietly attends the conversation. One can be 19 years old, a very good musician, he comes to play here on a Saturday evening. We love to host people. With a clever design and equipment selection, we achieved a result that we were very pleased with. We have a digital mixer, controlled from the IPad, and so is the light. If you like TOC, you may also like:. They grow by touching and sharing. I think that there is an environment to comfort musicians as well. Kodak by All Get Out.