sony cyber shot dsc rx1r ii

Sony cyber shot dsc rx1r ii

The Sony RX1R II takes what made the original so remarkable -- compact size, full-frame sensor and stunning image quality -- and takes it up to a new, even more impressive level.

It features a A Bionz X processor is included, the latest Sony processor available. Sony has managed to do this while only adding a couple of mms to the dimensions of the camera. In order to release the electronic viewfinder, you need to push down a lever on the far left hand side of the camera. This makes for a smooth transition between using the screen and the finder, and more akin to using a traditional camera.

Sony cyber shot dsc rx1r ii

Now, with the introduction of the Sony RX1R II, Sony's uber-premium compact camera takes a big leap forward with nearly double the pixel count, vastly improved autofocus performance, and a rather innovative adjustable optical low-pass filter system. As mentioned, the predecessors' image quality was excellent, and that is still true with this new model, but even more so. With a megapixel backside-illuminated full-frame sensor, the camera packs in even more resolving power. Image quality is fantastic, particularly at low to moderate ISO's straight out of the camera. Furthermore, as is characteristic of recent Sony cameras, the dynamic range performance from the RX1R II is outstanding. One of the all-new features of this camera is its unique variable optical low-pass filter. Unlike the predecessor, which was offered in two models -- one with an OLPF and one without -- the Sony RX1R II lets you adjust the strength of an actual optical low-pass filter, or disable it completely. The system works very well. Images do indeed show increased detail when not using the OLPF, and if you can't decide which filter setting to choose for a given subject, the camera includes an OLPF bracketing mode! While overall, the lens is nice and sharp, we did find noticeable vignetting if in-camera shading correction is turned off the camera also bakes-in vignetting correction to RAWs, so keep that in mind if you like to do you own corrections. The macro-mode performance of the lens is also a little lacking, as we found with the earlier RX1 models, too. Furthermore, the fixed, single focal length lens could be a limitation depending on what you photograph the most. For street photography, traveling and some landscapes, the 35mm lens is perfectly suited to handle these subjects, and the added resolution makes cropping even more practical. The predecessor was not a speed-demon camera, and the same can be said for this updated model for the most part, though there are a number of performance improvements. Despite nearly double the megapixels of the earlier model, the camera offers an improved buffer depth and maintains a respectable 5fps burst rate with continuous AF.

Sony RX V. And the RX1R II also includes a Bright Monitoring function which increases brightness of the LCD monitor to help when framing and focusing in low light, achieved by allowing slower shutter speeds than is normally the case for live view. With a megapixel backside-illuminated full-frame sensor, the camera packs in even more resolving power.

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It features a A Bionz X processor is included, the latest Sony processor available. Sony has managed to do this while only adding a couple of mms to the dimensions of the camera. In order to release the electronic viewfinder, you need to push down a lever on the far left hand side of the camera. This makes for a smooth transition between using the screen and the finder, and more akin to using a traditional camera.

Sony cyber shot dsc rx1r ii

The high-resolution sensor, the addition of the viewfinder and the variable optical low pass filter are great features; but there are enough reasonably small niggles to add up to a less than perfect offering. Why you can trust Digital Camera World Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out how we test. Eight years on, it is now one of a very select band of full-frame compact cameras — and still has features that make it stand out from other fixed lens cameras. Sony has stuck with the classic 35mm focal length as with its very similar predecessor the RX1R, and this wide-angle focal length is versatile for landscapes, portraits, architecture and street photography.

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The amount of detail resolved is pretty much unparalleled, with gorgeous colours and decent low-light performance. With a megapixel backside-illuminated full-frame sensor, the camera packs in even more resolving power. Luckily, the batteries are small enough and relatively inexpensive that it's easy to carry a bunch of spares. Image quality is fantastic, particularly at low to moderate ISO's straight out of the camera. The rear LCD also works nicely and resists glare somewhat, but our biggest gripe here is the lack of touch functionality. The nice pop-up and push-down mechanism makes it very simple and convenient to use and stow the EVF quickly. The shot below was taken using a shutter speed of 30 seconds at ISO Print quality and image quality are similar but not identical, because what you see on a print isn't always the same as what you see on the screen. The major factor, however, as to why I didn't jump to buy an RX1 right away was the price. The tilting screen is a big boon, helping you shoot over a crowd, from the hip or low to the ground. Sony A Overall performance drawbacks and downsides are relatively minor. Despite nearly double the megapixels of the earlier model, the camera offers an improved buffer depth and maintains a respectable 5fps burst rate with continuous AF.

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However, if you like to bounce back and forth between framing in the finder or on the monitor, now you can configure the camera appropriately to facilitate that. Last year the Leica Q emerged to take the crown from Sony in the full-frame fixed lens market. This probably comes as a consequence of the huge file sizes that a 42 MP sensor produces raw files are around 80MB. However, processing speeds are a little on the slow side. Note, though, that the RX1R II doesn't gain the ability to record in 4K like some of Sony's other cameras; instead, it's still limited to Full HD recording at 24, 25, 30, 50 or 60 frames per second. Panasonic LX Sony RX V. Sony RX VI. It's pretty difficult to see much of a difference between images taken with it on or off, especially at normal printing sizes. The variable low-pass filtering is clearly the big story, but there's a whole lot more to the Sony RX1R II than just that new feature. Share Tweet Comment. Well, if you are old enough you do.. The image quality, at both low and high ISOs, is just as impressive, if not more so, thanks to the big resolution increase. The thumbnails below link to the full-sized versions, which have not been altered in any way. Fujifilm X-T3 Review.

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