Rack yamaha motif
Photo: Mike Cameron.
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Rack yamaha motif
Photo: Mark Ewing. It seems simple enough — take the successful Motif workstation, remove the keyboard, and release it as a more affordable rack unit. But there's lots more to the Motif Rack than meets the eye As the owner of a studio best described as compact and bijou, I have always applauded the practice of repackaging synthesizers and other keyboard instruments into space-saving rack modules — and latterly, zero-mass software! In many cases, it can be some time after the release of the original keyboard version until the rack module makes an appearance — time enough for the manufacturer to gauge the success of the original instrument, and thus infer a viable market for a module. Yamaha claim on their web site that a modular version of the Motif has been their most-requested product — so, one-and-a-half years after the release of the acclaimed Motif 6, 7 and 8 workstations, the Motif Rack is born. The Motif 7 was reviewed in depth by Derek Johnson and Debbie Poyser in SOS September , so I recommend referring to this for a detailed description of the Motif synthesis engine and other features. The Motif Rack can essentially be described as 'the sound of the Motif in a box' — however, there are some significant functional and feature differences between the keyboard and rack versions. The Motif Rack is a 1U rack, measuring 35cm in depth. The front silver-and-blue liveried panel hosts the 20 buttons, rotary encoder dial and x64 backlit LCD display that control the synth within.
These are grouped into 18 different categories, including not only 'traditional' arpeggios, but complete musical phrases, lead lines, bass lines, guitar strums, drum patterns, and even some 'noteless' arpeggios containing only controller data — think gated effects and the like, rack yamaha motif. My only wish would be that you could have more than one instance of the arpeggiator in a Multi — unfortunately it can only be assigned to one Part, but this is exactly when the rack yamaha motif to record the arpeggio's output to a sequencer should come in very handy indeed.
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Boasting a full 1, Voices and 65 Drum Kits, this versatile tone generator is packed full of luscious grand pianos, realistic sounds for virtually every instrument in the orchestra, vintage organs and electric pianos, expressive guitars, powerful basses, synthesizer sounds of every stripe, from classic to cutting-edge contemporary, ethnic instruments, as well as a huge variety of drum kits and percussion sets to perfectly match any music style. These can be saved to the three User Voice banks, letting you store up to of your original Voices on the instrument itself. The Multi presets provide a convenient library or multiinstrument settings you can instantly call up when composing or arranging. Just select the template you want, and instantly start recording your own song demos or full-fledged recordings. Up to of your own original User Multis can be stored, too. Providing eight Insertion effects, two System effects, a Master effect block, as well as independent Part EQ and Master EQ, this instrument gives you more processing power than any other rack module. While the System effects Reverb and Chorus let you sweeten each instrument Part in the overall mix, the Insertion effects 53 available types let you enhance or transform individual instruments as needed. When selecting sounds, the name of a Voice doesn't always tell you enough about the sound - you need to actually hear it.
Rack yamaha motif
Loads of essential sounds and presets. Quick access editing knobs on the front panel. Software editor for detailed programming. MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test. However it differs from the keyboard version by lacking a couple of significant features - namely onboard sampling and multi-track sequencing. We doubt anyone will miss the sequencer too much, but we mourn the loss of the sampling option. This would greatly expand the scope for sound designers to utilise and mutilate their own waveforms in custom voices.
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There are now two user-programmable banks of instead of one, and even the outputs have been augmented to a total of six — one master stereo pair and four assignables. The amount of reverb and chorus applied to a Voice is global — in other words, there is no individual send level for each Voice element. New forum posts Re: Font Colour Selection. On the original Rack, up to four parts could be specified to use the insert effects pair originally programmed for their assigned Voices. Up to five different arpeggio patterns can be stored along with each Voice, Performance or Multi. Any one of these five patterns can be selected while the arpeggio is playing, either manually using the Page buttons or by external control change messages, allowing for automated pattern changes in a sequence. The basic Voice structure remains the same — AWM2 ie. The number of Preset and User banks has been augmented on the ES — there are now six Preset banks plus one GM bank, giving a total of presets. If each part could run its own patterns, there would be much potential multitimbral fun to be had. The Motif Rack can essentially be described as 'the sound of the Motif in a box' — however, there are some significant functional and feature differences between the keyboard and rack versions.
Photo: Mike Cameron. Yamaha's Motif range has proved to be both popular and enduring - so is the latest incarnation, the Rack XS, your cue to join the Motif party?
This concept is referred to as Total Recall. Despite these niggles, both the Motif's internal piano and the PLGAP stand up very well against the competition, and the PLG board has the benefit of its own note polyphony, which will be indispensable to anyone using any of the Motif range to produce piano-heavy arrangements. Voices can either be played singly, or from within Performances or Multis. My only wish would be that you could have more than one instance of the arpeggiator in a Multi — unfortunately it can only be assigned to one Part, but this is exactly when the ability to record the arpeggio's output to a sequencer should come in very handy indeed. As we went to press, Yamaha had the following to say on the subject: "To date, we're unaware of any problematic issues relating to Motif Rack, however thanks to the diligence of the Sound On Sound team we're taking steps to fully investigate this situation, and will be able to respond shortly. The problem was slightly ameliorated, but there was still a distinct flamming between the part from the Motif and the one from the other module, more than would otherwise be expected from 'normal' MIDI-timing discrepancies. Sadly you cannot edit Multis in this program, which means you must endure a certain amount of cursoring and dialling. Apart from the new grey livery, there are no obvious visual clues to suggest that the ES is significantly different from the original Rack. An extremely versatile synth module. If you have been teetering indecisively on the knife-edge of purchasing a Motif Rack, then teeter ye not; go out and get the Motif Rack ES.
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