Panasonic g9 ii review
This is a second generation in that G9 series from Panasonic. This is a micro four thirds camera, So natural for me when I grab ahold of this camera.
They love the system for its portability, especially with long lenses for wildlife. But under the hood the G9 II also sports powerful video capabilities, which in some respects rival or even beat the GH6, so owners of the GH5 and earlier GH models will also be tempted. I tried out a sample running almost final firmware which Panasonic described as delivering final quality and performance. If you prefer to read the written highlights, keep scrolling! Same size, same controls, albeit roughly 80g lighter, due to the different sensor, shutter and IBIS units. While the G9 II may employ a different body to the original G9, both grips actually feel remarkably similar in both size and shape. The lack of cooling fan is also a factor in the weight difference.
Panasonic g9 ii review
The Phoblographer may receive affiliate compensation for products purchased using links in this article. For more information, please visit our Disclaimers page. In a growing trend of cameras made for content creators, the Panasonic G9 II is a camera that puts still images first. While video is available, the features that interfered with still images — like the bulky fan — are axed to prioritize stills. As a result, the G9 II offers better weather-sealing, more stabilization, cleaner high ISO images, and a much-improved autofocus system over the hybrid-focused Panasonic GH6. Sure, the G9 II has better stabilization and more telephoto lenses, but the narrow price difference will push some Panasonic fans towards the S5 II instead. The body boasts both comfort and durability. The stabilization is an impressive eight stops. Speed is a quick 60 fps or 10 fps with the mechanical shutter with pre-burst. RAW images are a bit cleaner than on the GH6. And the best part? But, while the autofocus is leaps and bounds ahead of the GH6, the Animal Eye AF falls behind competitors and frustratingly delivers a lot of misses. Both the body and lenses are on temporary loan from Panasonic.
You have that eight way joystick on the back. You got the dials to give you your shoot modes you can get to really quickly and very easily. Despite lacking the 4K photo modes, pre-burst is still part of the G9 II.
My experiences with this mirrorless MFT camera were positive. I used it under extreme weather conditions at the Opal Coast in France. Our dog hates fireworks. The poor animal becomes frightened with every explosion and is reluctant to go out. I got the opportunity to use it for a couple of weeks, and I had a lot of cool plans to test it thoroughly. But it turned out quite differently due to a heavy winter storm that hit the coastline, with a lot of rain showers.
The Panasonic Lumix G9 II is a flagship hybrid mirrorless camera with a Micro Four Thirds sensor that's aimed at both stills photographers and videographers. The biggest news for the G9 II is that it's the first ever Lumix Micro Four Thirds G-series camera to use a hybrid contrast and phase-detection auto-focus PDAF system, something that Panasonic fans have been asking for for a long time. Using AI-powered recognition technology, the G9 II's AF system now recognises cars and motorcycles and it can differentiate between the body and eye of an animal. The new The G9 II offers 60fps burst shooting with continuous auto-focusing and 75fps with the focus and exposure locked at the first frame with the larger buffer allowing around 3 seconds of shooting time. The special Pre-burst shooting mode means that the camera begins shooting up to 1. There's an impressive 8-stops of in-body image compensation IBIS and 7. The special High Resolution mode delivers megapixel images 11, x 8,pixels for the ultimate quality when detail really matters and it works hand-held as well as with the camera mounted on a tripod. The G9II supports up to 5. For many Panasonic fans, this will be both an enormous relief and reason enough to buy the G9 over, say, the GH6 or previous G9 models.
Panasonic g9 ii review
Despite its stills-centric roots, the Panasonic Lumix G9 II solidifies the brand's position as the leader for video right now. The G9 II offers a true hybrid camera experience, with well-rounded specs for photo and video that will satisfy a wide range of users. When it comes to stills, if you need more reach for sports or wildlife then the 2x crop factor makes this a compelling option.
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On the other hand, the S5 II is a remarkably small and compact full-frame camera that's actually smaller than the popular Lumix GH6, so the fact that the G9 II is virtually identical to the S5 II shouldn't necessarily be a show-stopper. An example of using the dynamic range capacities of the Lumix G9 II in real life. Panasonic haven't just rested on their focusing laurels, though, as there are also a significant number of additional upgrades that help turn the already well-regarded original G9 model into an even better Mark II edition for February 14, I mostly used the Leica , and with the G9 II set to animal face and eye, it did a good job locking onto the desired subject, whether it was a Rhino, Giraffe, Ostrich or Zebra. Rent gear from Borrow Lenses. The camera seemed to do a pretty good job of locating the eyes and drawing that little green box around the right area of the image. About Nando Harmsen Follow. I tried out a sample running almost final firmware which Panasonic described as delivering final quality and performance. Moving on, the G9 II may be marketed as a photo-first camera, but is also a powerful option for videographers. The compact size also offered a lot of benefits during the winter storms at the Opal Coast. I found it difficult to find the ISO button without looking, even though it has a couple of notches. Free angle monitor, basically tilt out screen.
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Current G9 owners will face a learning curve when they upgrade to the G9 II, whilst S5 owners will feel instantly at home, such is the similarity between them and the G9 II. This allows for more cropping and detail. I believe this was in part due to using continuous autofocus. A new option lets you capture these high resolution composites handheld, although you will lose the chance to choose motion blur processing. So most of the talk with this camera is probably going to be about still images and doing sports and action, birds, those kinds of things. Buy Gordon a coffee! And this does not disappoint at all. So check it out. I can change my drive modes with my thumb right on the back. Both old and new G9 variants have a fully articulating 3-inch, ratio, free-angle design LCD touch-screen which means that you can flip it out to the side, rotate it forwards for easier operation when pointing the camera at yourself, and fold it flat against the back of the camera to stop it from getting scratched. But, while the autofocus is leaps and bounds ahead of the GH6, the Animal Eye AF falls behind competitors and frustratingly delivers a lot of misses. So the G9 II has a new engine.
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