nikon d5100 ราคา big camera

Nikon d5100 ราคา big camera

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When I received the camera for this Nikon D review, the first thing I did was take a picture just above the ground. Such photos are possible with the D thanks to its completely flexible LCD screen. That LCD configuration made the D hard to hold at times, and it didn't work at all if you wanted to use the camera on a tripod. By contrast, the flexible LCD on the D flips out to the left side of the camera body and rotates, allowing for high and low angle shots as well as self-portraits. Like the D and the entry-level D , the D does not include an autofocus motor in the camera body. This means that any lens without its own focus motor will be manual focus only when used on the D Nikon lenses with focus motors are labeled AF-S and here's the good news: there are plenty to choose from.

Nikon d5100 ราคา big camera

Our expert, award-winning staff selects the products we cover and rigorously researches and tests our top picks. If you buy through our links, we may get a commission. Reviews ethics statement. Nikon D We're used to Canon and Nikon leapfrogging each other in terms of product announcement timing and technology updates, but this year they're finally going head-to-head in the budget dSLR market. Despite the higher-resolution sensor, the D delivers visibly better image quality at all ISO sensitivities than the D, although the D has slightly better white balance. Beyond that depends upon the content of your scene, though I wouldn't recommend ISO or higher. Though there's far more color noise in the high ISO JPEGs than I'd like, there's still enough detail, color saturation, and tonality to make the photo usable. Canon leans just a touch more on the color noise suppression than Nikon, which I think produces slightly better results. It also helps that at equal settings the T3i delivers brighter exposures, with slightly better white balance, than the D Colors in the default Standard Picture Style seem to have the saturation pushed just a little, which produces attractive, relatively accurate results. I prefer the Neutral picture style; the others are too contrasty, which results in loss of shadow and dark midtone detail. You can always increase the contrast later, but getting that detail back is hard. However, the Standard doesn't shift the colors excessively as on some consumer dSLRs. Though it's still probably not up to the standards of videographers, the video is better than Nikon's previous consumer efforts, and the camera itself is more consumer video-friendly than the T3i.

Mobile banner. Because digital cameras are more like slide film than negative film in that they tend to have a more limited tonal rangewe test them in the harshest situations to see how they handle scenes with bright highlights and dark shadows, as well as what kind of nikon d5100 ราคา big camera they have in low light.

Photo Review. An update to the popular D with an improved monitor plus Full HD video support and seven built-in special effects. Full HD p movie recording is also supported. The table below compares key features of the three models. Like the D, the D is mostly made from polycarbonate and build quality is good for the target market. Having a shutter mechanism rated for , cycles shows the camera is built to last and enhance its appeal to potential purchasers who want more features and better performance than entry-level models provide but require a relatively simple user interface.

Find out more about how we test. Although there has been some overlap, digital SLR development has gone through some quite distinct phases. Initially the battle was to produce affordable models, and once this was achieved manufacturers turned their attention to producing cameras with higher pixel counts. This was followed by a push in sensitivity levels and improved low-light performance. We have updated our noise and dynamic range results pages with comparisons to the more recently announced Nikon D see our. Nikon D review.

Nikon d5100 ราคา big camera

This product has been archived. In-camera Special Effects mode operates with still images or D-Movies Incorporates an amazing array of special effects for use when taking still pictures or recording D-Movie Full HD movies. Selective Colour isolates any colour within the scene, capture details in places too dark for your own eyes using Night Vision, create bright images with atmosphere using High Key or emphasize the mood of a scene using Low Key. Miniature Effect makes a scene look like a miniature scale model and Colour Sketch creates colour outlines of the subject.

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Default contrast was a bit on the high side as most users prefer , but shadow and highlight detail in the Portrait shot shown above was quite good. See full set of test images with explanations See thumbnails of all test and gallery images. Here are a couple more example photos. A useful trick is to just prop the camera on a convenient surface, and use its self-timer to release the shutter. Nikon lenses with focus motors are labeled AF-S and here's the good news: there are plenty to choose from. The Active D-Lighting function ensured highlight and shadow details were recorded adequately in most JPEG shots, although the auto setting was unable to compensate fully for strong backlighting. Indicated by a red dot, this button starts and ends movie recording when the camera is set to Live View mode. The cyan to blue shift is very common among the digital cameras we test; we think it's a deliberate choice by camera engineers to produce better-looking sky colors. The camera's contrast adjustment also did a good job of decreasing overall contrast without producing strong color variations; see the section below. This fully articulated design is a much more flexible solution, allowing the screen to be folded out from the left side of the camera and folded inwards to protect it when not in use. There is an optional long-exposure noise reduction function that can be activated to filter out any hot pixels that may appear when extremely slow shutter speeds are used.

Remember me. Enjoying and excelling at digital photography has much to do with finding a camera that matches the kind of photographer you are, the kind of pictures you like to take and plan on taking and, of course, your wallet.

By contrast, the flexible LCD on the D flips out to the left side of the camera body and rotates, allowing for high and low angle shots as well as self-portraits. ISO only shows a little noise, while the fastest settings of ISO and are quite a lot noisier and suffer from softening of fine detail and a loss of saturation, but the images are still perfectly usable for small prints and resizing for web use. The Auto setting did a pretty good job here. Latest news, reviews, tips, and new ways to improve and inspire your photography. The Night Vision effect is particularly worth of mention, pushing the camera's sensitivity to a whopping ISO ,, although a monochrome rather than colour image is recorded. Though I can change most settings through the viewfinder, the placement of the buttons is still a bit weird to me and sometimes I hit the info button instead of the button that I need to hit before changing the aperture in manual mode. At the upper end of the tonal scale, dynamic range is dictated by the point at which the RGB data "saturates" at values of , , Picture Control Options. Your co-operation is highly appreciated and we hope our service can be worth it. The auto setting failed to remove the warm cast of incandescent lighting and left a residual greenish hue in shots taken under fluorescent lighting with our standard tests. We're used to Canon and Nikon leapfrogging each other in terms of product announcement timing and technology updates, but this year they're finally going head-to-head in the budget dSLR market. The information edit button--not to be confused with the info button on the top--brings up the interactive information display where you adjust most of your shooting settings. There is a red rectangle in the middle, which you can move practically anywhere in the frame. Unfortunately, I found the display a little too contrasty, misleading me into thinking my exposures were off.

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