Naked skull collection /fashion show

Tokyo's fashion week continues, with days three and four bringing us chic, modern minimalism, urban cowboys, naked skull collection /fashion show, desert hipsters, and some very opulent textiles. There was even a collection of "fashion for eveyone," designed to be worn by all people, including those with disabilities. Read on for more! The show exuded happiness, and the models were all styled with bright yellow accents ranging from huge yellow afro wigs to loafers to glittery makeup.

Lee Alexander McQueen , l'enfant terrible of the fashion world, was a British designer and couturier known for his rebellious creations and unconventional runway shows, which included visual surprises such as life-size Kate Moss holograms and models being spray-painted live on the catwalk. His gripping designs were often autobiographical, taking inspiration from subjects such as his Scottish heritage or his passion for scuba diving, as well as from pop culture, art and history. McQueen's often aggressive and violent themes polarized audiences, although largely the dark aesthetic of his designs made them memorable and thought-provoking. The dress below was part of a collection called "In Memory of Elizabeth Howe, Salem, " that was inspired by the infamous Salem witch trials, after his mother traced her bloodline back to someone who was prosecuted and hanged during the hearings. The cascade of golden beads trailing down the front of the design represents the magical power associated with hair in folklore and mythology. From here McQueen continued to push boundaries in everything he did: this corset caused controversy when he defied convention by choosing Aimee Mullins to model it, a double amputee who strode down the catwalk on intricately carved wooden legs. This made her the first amputee to ever be featured on the catwalk.

Naked skull collection /fashion show

This collection—as well as being very, very good—felt like a quietly but clearly articulated rebuke to the Instagram-serving move towards piled-on pseudo-rococo maximalism in contemporary fashion. There was nary a sneaker in sight—just traditional bunion-revealing plexiglass heels. The same shapes returned as the colors shifted; a full-hemmed trapeze dress, a split pencil skirt with a lower hem at the back, a wide-cut long jacket over fitted skirts of various lengths, a sort-of technical miniskirt with a drawstring waist. There was also a zippered jacket with a long yoke behind and a zippered open cutaway crescent across the shoulder, and a fitted, softly ruched minidress with an open back and big birthday-present bow at the small of the back. What looked like ostrich skin was artificial and technically coated. What looked like high-quality nylon was treated silk voile. These were pieces that defied first-look assumptions. The most consistent hint of froufrou here were the faux ostrich feather pieces. But those feathers were really just frames, skeleton-like outlines worn over simple cotton jersey slip dresses, fossils of froufrou. Similarly, the spaghetti-strapped sheaths of hand-fixed diamond-gridded sequins were worn over simple cotton vest dresses. The one Swarovski piece was, again, a skeleton: this time of an oversize T-shirt with no fabric to flesh it out. Through its ribs was revealed an armless blouse of shine-coated chiffon and a fitted skirt made from a spongy fabric most commonly used for bra cups, but utilized widely in this collection for almost everything bags especially. This was a frankly adult collection, secure and self-possessed in both its erotic implication and its sly, wry rejection of complication for the sake of it.

Look 8. The one Swarovski piece was, again, a skeleton: this time of an oversize T-shirt with no fabric to flesh it out. Getty Images.

Alexander McQueen was a visionary. For Joan later that year, his exploration of the elements moved from water to fire with a show that ended with a masked model being surrounded by a ring of fire. It not only featured Paralympian Aimee Mullins wearing prosthetic legs carved from elmwood, but ended with two robots spray-painting a dress worn by supermodel Shalom Harlow. The latter went on to become one of the most memorable catwalk finales in fashion history. Over the next decade, showgoers were treated to a presentation with a sinister merry-go-round, a human game of chess, a vision of an underwater world post-climate change and a ghostly hologram of Kate Moss. Wells novel The Island of Dr Moreau , the tale of a crazed scientist who creates human hybrids from animals.

In , designer Yves Saint Laurent entered fashion territory few designers would dare go near at the time and created his first see-through dress. While showcasing a woman's naked body had many clutching their pearls during that era, the effect has since become a signature of the French luxury house. For Saint Laurent Fall , Creative Director Anthony Vaccarello leans fully into naked dressing to "remind us of what once was at the center of fashion by rendering it invisible: clothes," the show notes read. As such, the collection encompasses transparent silk dresses, nipple-revealing pussy-bow blouses and undergarment-baring pencil skirts that would challenge any office dress code. Saint Laurent has been a leader in the workwear trend that has dominated the past few seasons, and this lineup doesn't lack in corporate-ready suiting, as seen in the big-shouldered blazers and straight-leg trousers.

Naked skull collection /fashion show

Saint Laurent played a careful game of reveal and conceal for its fall collection. Contrasting the transparent with the opaque, creative director Anthony Vaccarello focused on fabrics that were either gossamer-thin or satisfyingly thick. Think: strapless bandage dresses, midi-length halter gowns, and all the usual Saint Laurent signature skirt-and-top sets—newly rendered in deliciously translucent sheers. On the opposite end of the spectrum, there were cocoon-like coats in slick patent textures, silky sleek dresses with built-in garter belts, and large furry coats and scarves held as stoles while models strolled down the runway. The inspiration behind it all, to put it simply, was naked dressing. Despite the theme being a relatively common concept in fashion, Saint Laurent attempted to shape a new version through careful codes that felt closely tied to the house. For example, every single model donned very chic sheer turbans a stunning style statement on its own, even without the naked dresses. And many of them wore over-the-top chunky glass bangles and earrings.

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Australian cycling ace Michael Matthews has just missed out on winning the Monument classic he's always coveted at Milan-Sanremo. Collection Look 1. A blind Paralympic gold medalist modeled the opening look: a white layered tulle dress with an oversized dot pattern inspired by braille. The muted palette was punched up a notch by layering together various rich textures, including suede, leather, tweeds and denim. All pieces stayed within a safe range of earth tones: beige, mauves, moss green, and dusty browns. Hot Property. The so-called "Hooligan of British Fashion" designed 36 collections for the label that he founded in , and won "British Designer of the Year" four times between and , as well as being awarded a CBE. It was inspired by a trip to India, the era of Queen Victoria, and a huge ancient elm tree in the garden of his East Sussex home. McQueen's often aggressive and violent themes polarized audiences, although largely the dark aesthetic of his designs made them memorable and thought-provoking. This was McQueen's last appearance on the runway, before his death in Xavier Coates has scored an incredible try in the dying seconds to steal NRL victory for Melbourne over the Warriors, The year-old model opted for something decidedly more opaque but no less fabulous, wearing a chic black mini-dress featuring a dramatic low back, elbow-length black leather gloves, sheer tights, slingback heels and a satin skull cap.

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Fashion Alexander McQueen. This made her the first amputee to ever be featured on the catwalk. Community papers. Check back soon for our report on the last part of the week! Tokyo's fashion week continues, with days three and four bringing us chic, modern minimalism, urban cowboys, desert hipsters, and some very opulent textiles. All pieces stayed within a safe range of earth tones: beige, mauves, moss green, and dusty browns. But Jean Paul Gaultier reversed the equation Wednesday, sending out burlesque star Dita Von Teese, who peeled off layer after wildly expensive layer till she was stripped literally to the bone. Load More. Look 7. Leave a Reply Cancel reply Your email address will not be published. But those feathers were really just frames, skeleton-like outlines worn over simple cotton jersey slip dresses, fossils of froufrou.