Mobley hank

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Materiał na albumie to dwie oryginalne kompozycje Mobleya i cztery standardy w wykonaniu kwintetu, do którego dołączyli Kenny Dorham na trąbce, Sonny Clark na fortepianie, Jimmy Rowser na basie i Art. Taylor na perkusji. Tone Poet to ekskluzywna seria wydawnicza Blue Note zapoczątkowana w roku, by uczcić Serię Tone Poet produkuje Joe Harley. Mobley himself was in the middle of a particularly prolific streak that year with the tenor saxophonist recording 6 sessions for Blue Note in alone. Don't Get Too Hip A2.

Mobley hank

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Materiał na albumie to dwie oryginalne kompozycje Mobleya i cztery standardy w wykonaniu kwintetu, do którego dołączyli Kenny Dorham na trąbce, Mobley hank Clark na fortepianie, Jimmy Rowser na basie i Art, mobley hank. Teunis van der Zwart, Early in his career, he worked with Dizzy Gillespie and Max Roach.

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Soul Station is an album by American jazz saxophonist Hank Mobley recorded on February 7, and released on Blue Note later that year. Between these standards are four new Mobley compositions, featuring the bluesy title track and the uptempo "This I Dig of You". Blumenthal goes on to describe the recording as "one of the finest programs of music on Blue Note or any other label. AllMusic reviewer Stacia Proefrock concluded: "Overall, this is a stellar set from one of the more underrated musicians of the bop era. Pete Welding of DownBeat praised the album, calling it "a well-balanced and tasty blowing session that benefits from thoughtful preparation, [and which] finds the tenor saxophonist fronting a quartet composed of three of the finest rhythm men in the business. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version.

Mobley hank

His solo lines were full of intricate rhythmic patterns that were delivered with spot-on precision, and he was no slouch harmonically either. He soon started playing professionally in the area, and built enough of a reputation that trumpeter Clifford Brown recommended him for a job without having heard him play. He departed in and joined the house band at a Newark nightclub, where he played with pianist Walter Davis, Jr. That led to a job with Max Roach, who hired both Mobley and Davis after performing with them; they all recorded together in early , at one of the earliest sessions to feature Roach as a leader. Mobley spent much of performing and recording with Dizzy Gillespie.

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Na razie nie dodano żadnej recenzji. Don't Get Too Hip A2. Napisz swoją opinię ×. Twój komentarz został wysłany i będzie widoczny po zatwierdzeniu przez moderatora. Twój komentarz został dodany i będzie widoczny jak tylko zatwierdzi go moderator. Please login to post a shout. TOP 25 and more filters. My Reverie B3. Zasady reklamacji. Teunis van der Zwart, This description however was translated by jazz connoisseurs as though Mobley was mediocre. Curtain Call A3. Social Media. Mobley himself was in the middle of a particularly prolific streak that year with the tenor saxophonist recording 6 sessions for Blue Note in alone. Follow us: twitter facebook rss.

This is a discography of American jazz musician Hank Mobley. Contents move to sidebar hide. Article Talk.

Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone that was neither as aggressive as John Coltrane nor as mellow as Stan Getz. Zasady dostawy. Polityka prywatności. Serię Tone Poet produkuje Joe Harley. Na razie nie dodano żadnej recenzji. Thanks to snobb for the updates. Follow us: twitter facebook rss. Nie Tak. Zasady reklamacji. Curtain Call A3. Mobley himself was in the middle of a particularly prolific streak that year with the tenor saxophonist recording 6 sessions for Blue Note in alone. Taylor na perkusji.