Kc melting pot theatre

KC Melting Pot Theatre strives to create a public sphere where the contributions of emerging and established Black team viwer can be shared in an enriching community environment. It works toward building kc melting pot theatre, equitable, and inclusive theater experiences that teach, critique, and model a better America; identifies, trains, and incubates theater talent from historically underserved communities; and it collaborates with artists across the diversity spectrum to create work dedicated to social change.

KCMPT creates thought provoking, professional productions that reveal the rich contributions that African Americans have made to the theatrical tradition in the United States. As the premier African American theater company in Kansas City, our primary goal is to explore theatrical works, old and new, that feature complex stories of African American life as a lens through which we realize our shared humanity. We seek to build coalitions and partnerships across the diversity spectrum that can create bridges that facilitate opportunities to understand and celebrate our similarities and our differences. I was blown away by the acting in Sunset Baby last night! Really powerful! Diane Capps patron.

Kc melting pot theatre

With the theater being in production for its 10 th year and welcoming one of the most diverse audiences in the city, I can say that the passion and dedication was evident from the moment I walked through the doors. As a first-time visitor to the theater, I found myself feeling immersed in the experience. The upbeat staff greeted me at the door and gave clear directions on seating. After taking my seat, I took note of the structure of the room. There were three audience sections wrapped around the stage, which made it hard to choose as every seat would provide a comfortable view, yet a unique perspective. As the low chatter filled the room, my eyes wandered through the different elements of the stage design. Then of course, my gaze fell upon the stained-glass cross window, floating above the pulpit. I was reminded of how much I admired the amount of creativity one delivers in designing a stage set. Baldwins words are straight forward and humorous at moments as he highlights times of hypocrisy, passing judgements and the prejudices against a woman preacher who is also ridiculed for single parenthood. The open scene shakes the house, as the stage is dimmed starkly and the footsteps, clapping hands, and voices of the cast echo as they file into the church. The praise and worship felt authentic with a striking soloist carrying on and inciting applause from the audience. Seeing the full suits, ankle-length skirts, embellished hats on the women, the handheld fans waving with the hums of agreement with the word, brought me back to my own upbringing in the church. I could almost feel the Harlem summer heat coming through the storefront windows of the sanctuary. My eyes continued to be drawn to the style and casting of each performer, identifying the intention behind the young mother portrayed by actress Adeana Carr bringing her baby to the pulpit for prayer. I knew then, the story would only continue to draw me in.

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Over a number of recent productions, the KC Melting Pot Theater has chosen to explore questions about the ways in which race and class play out in the acts of producing and consuming theatre. The company has put on a number of plays that are specifically about the ways in which race informs the plays themselves and the institution of theater—the implications of putting on plays about race and racism, often with all or majority-POC casts, for audiences that are, on an institutional level, still usually majority white. These questions have been central to quite a few Melting Pot shows, but Fairview takes them to an entirely new level, using structure-busting absurdity to push our expectations and our assumptions as far as possible. The play, written by Jackie Sibblies Drury and winner of the Pulitzer prize, tells the story of an unassuming, even borderline dull upper-middle-class Black family. This is, by all accounts, a pretty quotidian comedy of manners.

Requirements: Prepare two contrasting monologues dramatic and comedic —preferably contemporary material. Bring current headshots and resume. All Kansas City talent are welcome to audition. Jawbone Crack Quick by Lewis Morrow Directed by Ile Haggins DEC Synopsis: In this riveting drama, a small-town community grapples with the aftermath of a tragic event, exposing the tensions and secrets that lie beneath the surface of their seemingly idyllic lives. Troy Maxson, a former baseball player turned sanitation worker, struggles to reconcile with his past while navigating the challenges of fatherhood and marriage.

Kc melting pot theatre

This month marks a first in the history of Kansas City theater — a local playwright will see three of his works published by an internationally respected publishing house in a single volume. Linda is the general manager. Gradually and with determination the theater company has grown the scope of its mission and solidified its structure. What began as essentially a community theater is now professional. Bloomsbury, a publishing house whose history includes a unique distinction as the original publisher of J. Morrow, despite the fact that he will be among such august company, said he felt a bit like a spectator as the book release looms. Morrow said nothing he has written should be considered strictly autobiographical.

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Type your email… Subscribe. Perfect for the time and reminded me so much of the actual movie. One moment being when the congregation discusses the stained-glass window. Black Violin and the promise of busting genres. She explains that the main subjects are "intervention, addiction, family dynamics, politics and the kind of universality of those issues. As the premier African American theater company in Kansas City, our primary goal is to explore theatrical works, old and new, that feature complex stories of African American life as a lens through which we realize our shared humanity. KC Melting Pot Theatre strives to create a public sphere where the contributions of emerging and established Black playwrights can be shared in an enriching community environment. A real jam session vibe! Arianna Craig. It seems as though they were all written as white, or at least played by white actors in the original production. A Raisin in the Sun was absolutely marvelous! This event will be held every 3 rd Tuesday of the month and FREE to attend of course, you can always donate if you want. And like most arts organizations, KC Melting Pot pivoted to online programming. See stories by Laura Spencer. No one here has the answers because the point of the play is to raise questions—questions of who gets to be centered in these conversations, of what it really means to be able to tell your own stories and to make space for others to do so.

KC Melting Pot Theatre will require proof of vaccination or proof of a negative COVID test within the last 48 hours for audiences, volunteers, performers, crew, and theatre staff. Proof can be provided by presenting either a physical or digital copy along with ID. Properly worn masks will be required for everyone inside the theatre building except for performers during the performance.

A real jam session vibe! Congratulations on a very successful production with many more to follow. Show Search Search Query. As a first-time visitor to the theater, I found myself feeling immersed in the experience. Baldwins words are straight forward and humorous at moments as he highlights times of hypocrisy, passing judgements and the prejudices against a woman preacher who is also ridiculed for single parenthood. Begin typing your search above and press return to search. Play Live Radio. Michelle L. Like this: Like Loading…. Subscribe now to keep reading and get access to the full archive. Read More. KCMPT creates thought provoking, professional productions that reveal the rich contributions that African Americans have made to the theatrical tradition in the United States.