Japanese pottery marks satsuma

Even if you don't speak, read or write Japanese, the markings on pieces of Satsuma pottery can be quite easy to decipher, japanese pottery marks satsuma, providing that you follow some simple rules. To start, the markings are read in the opposite direction to English. Start at the top right hand corner and read down. If there are 2 lines of Kanji characters, move to the left and start at the walgreens.com of the next line, reading downwards again.

Satsuma pottery is the Western name for very collectable type of Japanese earthenware exported throughout the world since the Japanese Meiji period Japanese sources suggest the Satsuma pottery tradition dates from the 17thC, but firm identification of any pieces earlier than the 19thC is difficult. Kilns were established in the Satsuma area in southern Kyushu by Korean potters in the late 16th century. The first and very earliest wares are the rarest of the rare and were stonewares covered with a thick dark glaze. During the mid 19th century the pottery that today, is recognized as satsuma pottery ware was created.

Japanese pottery marks satsuma

Large Satsuma vase depicting the seven gods of good fortune. Height: 38 cm. Mark: Dai Nihon Satsuma Gyokusen zo. Meiji period, circa s. The typical Satsuma ware we most of the time comes into contact with is a yellowish earthenware usually decorated with a minute decoration with Japanese figures, expressive faces or detailed oriental landscapes, or sometimes embellished with vivid dragons in relief. This ware is in fact an export product specifically designed in the mid 19th century to cater to the western export market. The Japanese themselves had very little interest in this ware. From around the s to the early s more than artist at least twenty larger studios or factories were producing "Satsuma" wares of which much were of low quality and destined for the European and American export markets. Most of the marks below will detail this latter wares since this is what we see most of. At the same time, other artists were producing exquisite wares of the highest quality. There were many masterpieces created during its heyday and several studios have created eternal fame for their names with these magnificent wares. Most high quality export 'Satsuma' is easily recognized by its finely crackled glaze and by the fact that its yellowish earthenware body does not "ring" when tapped.

Mark from a bowl painted with chrysanthemum and millefiore, late Meiji period. Click here to see large picture Okahashi Omura Okamoto Ryozan in one of the highly prized Satsuma decorators and his work is always of a high standard.

Listed are also some modern Japanese porcelain marks. We regularly update this page. Last updated: February We are a member of eBay Partner Network. When you click links on this site and make a purchase, this can result in this site earning a commission.

Collecting Japanese satsuma ware is accessible to many, but starting a collection can be daunting. Prior to this, there was no real ceramic industry to speak of in the Satsuma region. There are two distinct types of Satsuma Ware. The original Ko-Satsuma is characterised by a heavy dark glaze, often plain, but occasionally with an inscribed or relief pattern. This style is rarely seen outside museums and it proliferated up until about Famed for its delicate ivory coloured ground with finely crackled transparent glaze, it was markedly different to Ko-Satsuma. These early designs focused on over-glaze decoration of simple, light, floral patterns with painted gilding. Colours often used were iron red, purple, blue, turquoise, black and yellow.

Japanese pottery marks satsuma

Satsuma ware is perhaps one of the most well known of the Japanese pottery styles often richly decorated with fine detail and liberal use of gold. The name comes from the region controlled by the Shimazu clan Satsuma-han - officially Kagoshima and surrounding areas. The history goes back much further to around when Satsuma pottery was generally plain and in dark clay, very different from the 19th century pieces made for export to the West.

Camdaki kız

I have no idea about them. Unidentified, possibly an agent or importers mark. Hi I recently acquired this plate and I was wondering what the mark says and the history behind it and if it might be worth anything. The character to the left may be an honorific and the whole could read something like "Fine pottery of Satsuma". You can upload: image. Mark from a late Meiji or Taisho vase with cobalt ground and sparsely decorated with bamboo. Although hand painted, factory mass produced, and appearing with several decorator's marks. And what these marking mean please? Mark from a large vase painted with figures in a landscape, the vase with moulded handles. Anybody know more? Mark illegible but might be Shozan. Bonhams lists this mark as Minsan, other resources suggest Sekizan as a likely form.

By adapting their gilded polychromatic enamel overglaze designs to appeal to the tastes of western consumers, manufacturers of the latter made Satsuma ware one of the most recognized and profitable export products of Japan for centuries, and even became one of the key sources of funding for the Meiji period reforms. Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century.

Rei or Rai This example from a very high quality Meiji period vase with a scene of a pupils in a school. Mark from a mid range vase with trees having fine gilt detail. Porcelain with moriage decoration in 'Satsuma' style. Mark: Fujisan. He has a value? Should it have markings to be of value? That is the number 13, it could just be a decorators mark to get paid. Late Meiji or Taisho. Anything with stamped-on or printed English writing on is more of a mass produced item. Cheers Angie, Australia. I will send a photo of the vase also. Meiji period, circa s.