Herzog and de meuron basel

May be because we wanted to distinguish divisare from the web that is condemned to a sort of vertical communication, always with the newest architecture at the top of the page, as the "cover story," "the focus. Content that was destined, just like the oh-so-new architecture that had just preceded it a few hours earlier, to herzog and de meuron basel slide down, day after day, lower and lower, in a vertical plunge towards the scrapheap of page 2.

The Dreispitz, an urban site covering some fifty hectares, is privately owned by a single proprietor. Originally used as a goods warehouse and later as a customs depot, its development, governed by unconventional rules, has led to a fascinating hodgepodge of architectures and uses. The building consists of two stacked volumes, tapered towards the top. The distinctive shape ensures that the apartments themselves, and the neighboring buildings, have sufficient daylight. The facade of raw concrete is marked by the horizontal formwork of narrow wooden planks.

Herzog and de meuron basel

Email: info herzogdemeuron. News Projects Practice. Contacts Jobs Search. Rheinschanze 6 Basel, Switzerland Email: info herzogdemeuron. All rights reserved. Project Project Royal College of Art. Project Project Museum der Moderne — berlin modern. News Project Update berlin modern Cornerstone. Project Project Lusail Museum. Lecture Lecture Common, Commons, Commoning. Project Project Vancouver Art Gallery. Project Project Schaulager, Laurenz Foundation. Project Project Wasserstadt Solothurn. Project Project Aeschenplatz 6.

The seemingly endless project of their Elbphilharmonie in Hamburg, which raises a glass concert hall on a former brick warehouse. Here the density and size of the stones in the gabions is varied, such that, again, what seems at first heavy can become transparent. Project Project Grasbrook.

In the industrial zone of Dreispitz, where you still have to dodge reversing trucks and negotiate kerbless asphalt roads, a residential block rises up, as they do in such zones in prosperous Western cities like Basel. This one looks different from your usual luxury lifestyle apartments. It is a concrete tower, with the gridded upper half projecting over a solid stalk, part toadstool part Torre Velasca, also something like a medieval siege engine, its apparently regular geometry turning out to be scalene and dislocated. Its ascent to the sky is brooding as much as aspiring, its domestic dreams cloudy and complex. More unusually still, the stalk turns out to contain the archive of the local architects Herzog and de Meuron, who designed the building. It has climate-controlled vaults containing drawings and documents. A goods lift scented by its oak lining reaches warehouse-like floors where models and samples going back to the early s are arranged on wooden racks.

The concentration of exhibition halls around the Messeplatz Exhibition Square is the key entrepreneurial aim of the Messe Basel leadership in its further development. Building the Messe Tower and replacing Hall 1 with a highly modern building and optimum exhibition areas were the first components in this strategy, followed by the continuing construction of new halls. This concentration of exhibition centre activities is also an important urban planning matter for the development of the surrounding Kleinbasel neighbourhood, aimed at regaining outlying exhibition spaces on the present Deutsche Bahn German Railways area for apartments, offices and small businesses while simultaneously upgrading the Messeplatz as a focal point in Kleinbasel. Achieving this entrepreneurial as well as urban planning aim of congegrating the Messe and at the same time retaining the important Watch and Jewellery Fair within Basel , required the replacement of two halls on the Messeplatz Hall 1 at the front and Hall 3. These halls no longer fulfilled modern exhibition requirements in terms of ceiling heights, column spacing or load bearing capacity of the floors. It was also important that all halls be interconnected to ensure flexibility for various events, and that nearby car parking facilities should be retained. Fulfilling exhibition requirements for large volumes and uninterrupted floor areas, the New Hall is a three-storey extension of Hall 1 along the Riehenring. To provide indoor connection to all exhibition halls, the new building bridges over the Messeplatz and creates a covered public space, perhaps comparable to a railway station concourse or indoor market, realized in a modern design language. This key architectural and urban planning element defines the south end of the Messeplatz and is illuminated from above by a generous circular opening.

Herzog and de meuron basel

Text description provided by the architects. The Volkshaus Basel , originally the castle bailiwick, can be traced back to the 14th century. The location has always been a site of dense and varied use—a piece of the city within the city. A brewery with an adjoining restaurant was built on the premises in , with a concert and beer hall added in After the city of Basel took over the facilities in , the site became a hub of political, social, and cultural activities, which ultimately led to a shortage of space and competition in The winner, architect Henri Baur, built the new Volkshaus Basel, inaugurated in , integrating the existing concert hall and supplementing it with halls of varying sizes, offices, conference rooms, shops, restaurants, and accommodation for personnel. In the s, the Volkshaus just barely escaped demolition, instead of undergoing a complete renovation, both inside and out, to make the complex meet the latest technical standards. These measures substantially prejudiced the character and identity of the Volkshaus.

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Over the years, the rain running down the concrete will make the surface structure resemble the bark of a tree. In a July interview with the German magazine Der Spiegel , Jacques Herzog was criticised for not having done more to ensure the conditions under which migrant workers constructed the stadium by the interviewer, to which Jacques Herzog responded that the influence of the architect on the construction process is declining rapidly. Archived from the original on 2 October With this they aim to maintain the industrial nature of the place simultaneously with the artistic and residential uses that go with gentrification. Time is the Best Architect Beniamino Servino. The building consists of two stacked volumes, tapered towards the top. They also add up to a long, slow urban project, the adjustment of the whole city through the accumulation of acupunctural moments. The results are best seen in something like the generous concrete crate of Lincoln Road, Miami, a parking-garage-cum-events-space which, while an attention-attracting object that serves the purposes of its developer client, gives a new dimension to its locale. The attitude is captured by the early proposal by Herzog and Pierre de Meuron for the Marktplatz in Basel, where they wanted to make users aware of the sound of a buried river underneath. Tate Modern, being the editing of an unusual existing building, allowed them to pursue the idea of discovery at a large scale, although the combination of size, budget restrictions and contractual procedures denied it the material density of their other projects.

Email: info herzogdemeuron. Die vertikal berankten Innenhoffassaden filtern CO2 und andere Schadstoffe.

Retrieved 20 February In that respect it's not wise to represent a style or a certain taste. But these works are still very much creations of a recognised name, promoted through the usual channels of publicity. Wellness Facilities and Spas. As their career progressed, and they worked for more money and more power, they have found themselves engaging with issues which, with the smaller earlier projects, were less pressing. Pritzker Architecture Prize laureates. On the other hand, some scholars, such as Deyan Sudjic , have stated that the very building of the stadium sent a signal from the Western architecture firm to the Chinese government to change societal norms. Authority control databases. They are not futuristic or visionary and, while they insist that their work has sustainable virtues, they do not preach environmental salvation. Retrieved 12 February Here the density and size of the stones in the gabions is varied, such that, again, what seems at first heavy can become transparent.