Goto atsuko

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Atsuko Goto a featured artist in Beautiful Bizarre Magazine Issue is the overseer of a delicate wonderland. Her paintings ooze magical tidings, crafting a realm of otherworldly characters that appear like ghosts, gods or perhaps even monsters. Atsuko weaves together a bewitching world that calls to the dreamers within us. Inspired by her homeland, Atsuko primarily works with Japanese techniques and mediums to create her uniquely soft, muted palette. She paints with Japanese ink, gum Arabic and even uses a brilliant blue lapis lazuli as a part of her dried pigment collection to create her signature moody dreamscapes.

Goto atsuko

Atsuko Goto creates beautifully melancholic images of delicate figures cloaked and merged with natural elements, everything from flowers and butterflies to insects, birds, and fish. Her muted palette is as ghostly as haze, achieved through the unique application of diluted pigments made from semi-precious lapis lazuli, ink, and gum arabic applied to cotton. Inspired by Japanese Shinto and the belief that nature is animated by divinity and sacred spirits harbored in every living and inanimate thing, Goto creates imagery that conveys this feeling of profuse life force and intangible mystery, offset by a darker suggestion of mourning and lament. Quietly meditative, her works exude a dreamlike calm and resignation despite their abundance of detail and the density of her compositions. Silence and forlorn composure define this existence of the preternatural. Fragile in their tempered darkness, the works are subtle and near translucent — like the unknown light and strange optics of an otherworldly plane where everything is Read More. Fragile in their tempered darkness, the works are subtle and near translucent — like the unknown light and strange optics of an otherworldly plane where everything is unsubstantial. A feeling of entrapment and isolation persists, however, in the quietude. Like hauntings from the subconscious, the paintings feel like faded dreams, surreal distortions bordering on the ominous. Unsettling, the muted beauty of these diaphanous idols loom, uncannily caught in a thin veil between worlds.

Please reload the page. External Media 3 External Media. She is the kind of artist that exhales dreams, and her paintings allow us to inhale them and keep them within ourselves for a little while, goto atsuko.

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Atsuko Goto creates beautifully melancholic images of delicate figures cloaked and merged with natural elements, everything from flowers and butterflies to insects, birds, and fish. Her muted palette is as ghostly as haze, achieved through the unique application of diluted pigments made from semi-precious lapis lazuli, ink, and gum arabic applied to cotton. Inspired by Japanese Shinto and the belief that nature is animated by divinity and sacred spirits harbored in every living and inanimate thing, Goto creates imagery that conveys this feeling of profuse life force and intangible mystery, offset by a darker suggestion of mourning and lament. Quietly meditative, her works exude a dreamlike calm and resignation despite their abundance of detail and the density of her compositions. Silence and forlorn composure define this existence of the preternatural. Fragile in their tempered darkness, the works are subtle and near translucent — like the unknown light and strange optics of an otherworldly plane where everything is Read More.

Goto atsuko

Atsuko Goto creates beautifully melancholic images of delicate figures cloaked and merged with natural elements, everything from flowers and butterflies to insects, birds, and fish. Her muted palette is as ghostly as haze, achieved through the unique application of diluted pigments made from semi-precious lapis lazuli, ink, and gum arabic applied to cotton. Inspired by Japanese Shinto and the belief that nature is animated by divinity and sacred spirits harbored in every living and inanimate thing, Goto creates imagery that conveys this feeling of profuse life force and intangible mystery, offset by a darker suggestion of mourning and lament. Quietly meditative, her works exude a dreamlike calm and resignation despite their abundance of detail and the density of her compositions. Silence and forlorn composure define this existence of the preternatural. Fragile in their tempered darkness, the works are subtle and near translucent — like the unknown light and strange optics of an otherworldly plane where everything is unsubstantial. A feeling of entrapment and isolation persists, however, in the quietude. Like hauntings from the subconscious, the paintings feel like faded dreams, surreal distortions bordering on the ominous. Unsettling, the muted beauty of these diaphanous idols loom, uncannily caught in a thin veil between worlds.

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Such a method of communication is the foundation for a vibrant artistic language, and Atsuko Goto speaks all the right words. Goto Atsuko Japanese artist Goto Atsuko is a painter who is known for her images of figures that emerge from our dreams, her works have been described as melancholic fused with the natural environment be it static or moving. Imagine being the last remaining human and having. Generates statistical data on how the visitor uses the website. August 22, Please reload the page. Privacy Policy Imprint. Accept all Save. But despite their wistfulness, all of these characters appear powerful. Here you will find an overview of all cookies used. More Original Art. You can revoke or adjust your selection at any time under Settings. She is interested in the more dreamy, whimsical creations of the moody artworld. Japanese artist Goto Atsuko is a painter who is known for her images of figures that emerge from our dreams, her works have been described as melancholic fused with the natural environment be it static or moving.

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Google Maps. Atsuko Goto - "Holy Indulgence II" - Arabic gum, pigments, gold powder, silver powder, platinum powder, mica, Japanese ink, lapis lazuli on cotton cloth. Some of them are essential, while others help us to improve this website and your experience. You can find more information about the use of your data in our privacy policy. Read Less. A feeling of entrapment and isolation persists, however, in the quietude. They are reminiscent of Japanese spirits or haunting monsters that lurk within powdery clouds. Atsuko Goto - "Superstition" - Arabic gum, pigments, gold powder, mica, Japanese ink, lapis lazuli on cotton cloth. Essential cookies enable basic functions and are necessary for the proper function of the website. If External Media cookies are accepted, access to those contents no longer requires manual consent. Oops, seems like you disabled JavaScript in your browser! Privacy Preference Essential 2. These bits and pieces come together to symbolise the sentiments of transience and fragility.