Dual super lead

This power-packed amp head, though no longer in production, continues to captivate the hearts of musicians worldwide.

Updated: Jul 8, I finally decided to give my trusty, over ten years old, Marshall JCM DSL a review - after so many years of great service, I think the world needs to know. The has two foot-switchable channels, with an optional 20db boost on the dirt channel, that is also foot-switchable foot switch included. Like most Marshalls, the two preamp channels are powered by 12AX7 tubes, one for the clean channel, two for the dirt channel and one for phase inversion. The power section is powered by a quartet of EL84s, again - typical to lower wattage Marshall amps, although at 40 Watts it could also be powered by a pair of EL34s.

Dual super lead

The DSLH has two gain channels to produce that legendary Marshall sound with rich functionality for those who require flexibility and unquestionable quality. The amp can move between two sounds within each gain channel, so that players can create and release their personality through sound. There are two master volume functions so you can bring your solo to the forefront. Using the individual reverb for the two footswitchable gain channels, FX loop and tone shift controls you can experiment with your style. For those more demanding players, the amps features can be controlled using any MIDI equipment, so you can play this amp and different MIDI equipment at any one time. The DSL can be easily taken from the bedroom, to the studio onto a gig using the five available speaker outputs, it also has the ability to record and a standby function for silent recording. The DSL can be used in many environments with confidence as the power can be reduced from W to 50W without affecting the quality. DSLH The DSLH has two gain channels to produce that legendary Marshall sound with rich functionality for those who require flexibility and unquestionable quality. Key Features. Stand out on stage. Choose your tone. MIDI compatibility. Vary the output. Pick your environment.

Changing the stock speaker with a 8 ohm speaker with a compatible power rating might work wonders on your headroom too.

The Classic Gain has two modes capable of providing classic Marshall tone and high gain modern tones, taking the player from a style clean right through to the snarl of a JCM The Ultra Gain channel on the other hand also features two modes, mimicking the vibe of a hot-rodded or providing even higher gain and a gut-twisting mid-boost, all at the switch of a button. Powered by EL34s and housing ECC83s, the remarkable versatility marked the DSL out as the first Marshall amp truly capable of playing any style of music, and upon its release was particularly lauded for its clean tones. On top of this the DSL also featured an effects loop and reverb to add even more adaptability. Fast forward to and Marshall looked to revisit the JCM DSL, and build a new series based around it featuring updated technology. The modernised DSL range used largely the same components as the originals but also boasted some standout new features, such as a new resonance control, digital reverb, and a two-way footswitch. Learn how to dial your DSL amp here.

The Classic Gain has two modes capable of providing classic Marshall tone and high gain modern tones, taking the player from a style clean right through to the snarl of a JCM The Ultra Gain channel on the other hand also features two modes, mimicking the vibe of a hot-rodded or providing even higher gain and a gut-twisting mid-boost, all at the switch of a button. Powered by EL34s and housing ECC83s, the remarkable versatility marked the DSL out as the first Marshall amp truly capable of playing any style of music, and upon its release was particularly lauded for its clean tones. On top of this the DSL also featured an effects loop and reverb to add even more adaptability. Fast forward to and Marshall looked to revisit the JCM DSL, and build a new series based around it featuring updated technology. The modernised DSL range used largely the same components as the originals but also boasted some standout new features, such as a new resonance control, digital reverb, and a two-way footswitch.

Dual super lead

Wide range of classic Marshall tones - from crystalline cleans to high gain heaviness. Power switching. MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test. From Hendrix to Slash , Iron Maiden to Spinal Tap - if guitar royalty has one thing in common, it's that they all bow down to the majesty of Marshall guitar amplifiers.

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It's a simple amp to use, it has been reliable so far about 11 years , it is well built and sounds the way I need it to sound. I always have to apply some aggressive EQ cuts to clean up whistling frequencies I have done it many times using an SM57, various condensers and combinations of an SM57 with a condenser, with good results. I have tried many techniques and although I'm generally able to get close to what I want, it is never the sound that's in my head and I always have to apply some aggressive EQ cuts to clean up whistling frequencies and usually settle for less than what I was aiming for. FX Loop Tip! Marshall Super Lead Watt Head. Perfect, you dont have to buy a jcm and modify it. Download your manual. This power-packed amp head, though no longer in production, continues to captivate the hearts of musicians worldwide. In every respect, other than the green tolex covering this amplifier was exactly the same as the standard black tolex amp. Big Muff. Marshall Home Live for Music History. Changing the stock speaker with a 8 ohm speaker with a compatible power rating might work wonders on your headroom too.

This power-packed amp head, though no longer in production, continues to captivate the hearts of musicians worldwide.

Marshall Home Live for Music History. Rhythm left : Fender Tele, neck pickup through OD1 channel. I love this amp, but I learned to love it only after I moved to a soundproof room, where I could experiment more at higher volumes and really let it breathe and shine While it is really neither, it is close enough for any working pro. You can read about my experience with an 8 ohm Creamback G12M 65 in this amp in this post. The DSL, standing for "Dual Super Lead", is fortified with a dual footswitchable channel design, offering versatility at your fingertips. On the second channel u got on lead 1 the sound of a hot rodded jcm I just love fiddling with microphones and DI recording is just not as fun. Orange Thunderverb W How does the DSL stand up these days and is this now ageing guitar amplifier worth buying? Peavey Watt Head. The has two foot-switchable channels, with an optional 20db boost on the dirt channel, that is also foot-switchable foot switch included. SHAi Jul 25, 8 min read. Its timeless design coupled with an impressive load of features gives it an edge in the realm of music gear.