Design ni dukan

Design ni Dukaan, led by Principal Designer and Architect Veeram Shah, has launched five exclusive decor pieces that explore the abstraction of form and materials. Taking inspiration from art, literature, design ni dukan, music, and colour, the pieces feature curves and contours informed by these diverse sources.

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Design ni dukan

Veeram Shah: The clients had been following our work and liked our design aesthetic, and they contacted us directly. The client is a young entrepreneur who wanted an apartment for his wife and two children. Frequent family gatherings are an essential part of their life, so they needed a large dining and kitchen area with good storage space. They wanted a space that would reflect their simple, holistic way of living. They were open to experimenting with natural materials but wanted to incorporate the traditional principles of Vastu in every element of the square-metre apartment. We insisted on a few structural changes to clean up the space before putting the actual design on paper. We profiled each family member and their individual requirements, trying to understand their lifestyles and how we could enhance it through design. We wanted a distinct identity for each room, which was achieved by using specific materials suited to each family member. Our focus was to articulate simple materials in terms of proportion, form, detail, sections and shapes. As a studio, we focus on pushing the boundaries of simple materials while adhering to a modernist design aesthetic.

Private: Essential only. The project was truly a celebration of the act of creation, which has become for us the essence of our design practice.

Text description provided by the architects. How does one design a formless house? This was the primary inquiry from which the conceptual foundation for the project was generated. This led to the designer questioning the very basis of built forms. This caused a shift in the designer's perception that resulted in an inside-out approach to the design, wherein the experience of space from within took precedence over the external form and a second skin wrapped around the structure, holding the separate parts together and defining a series of courtyards that are intrinsic to the experience of the house.

Design ni Dukaan, led by designer Veeram Shah, redefines office spaces by embracing materiality as a pivotal design process. Focusing on sensory aspects, the project, located in Gandhidham, Gujarat, India , unfolds as a gradual assembly of elements and functional sculptures, forming a warm workspace and emphasizing increased productivity. The design preserves the original architectural structure, utilizing its form as an aesthetic anchor while consciously welcoming imperfections. A minimal material palette of teak , brown glass , and terracotta micro concrete permeates the project, fostering a seamless integration between art and architecture. Art inserts take center stage, blurring boundaries between functionality and aesthetic expression. Notable interventions include a folding door with modernist-inspired patterns at the entrance, a layered glass mural, and a sculptural reception table. The waiting area features sinuous curves and a skylight, envisioned as the central point permeating light throughout the office. Each desk, uniquely crafted in-house, reflects a dialogue with discerning clients, ensuring a harmonious blend of vision and execution. Executive cabins showcase layers of gray micro concrete, punctuated with wooden accents.

Design ni dukan

The resulting architecture is designed as a sprawling collection of separate parts, all wrapped within a secondary concrete skin. With a background in farming, the client hoped to return to his roots and insisted on employing local labor. With its hilltop site and walled-off design, Design ni Dukaan notes that its Enclosure House takes on the expression of a citadel. The outer walls are comprised of four main surfaces — two curved and two straight — whose intersections are subtly overlapped or offset to create moments of entry.

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At the other end is Prismatic, which celebrates colors. Design ni Dukaan presents a unique collection of products for your home. The Embrace chair is the result of various experiments in folding surfaces. Here, architect Veeram Shah shares more. Diphanous is a table design rendering a collision between irregularity and imperfection, with earthy tones of terrazzo as the tabletop, creating an overall warm aesthetic. For the in-between spaces where we needed light but to still maintain visual privacy, we used cane infill shutters and fluted glass partitions. Penthouses embody the pinnacle of opulence and exclusivity, offering a unique blend of sophistication and breathtaking views. The Diphanous table is all about the collision of irregularity and imperfection. In alliance with Architonic. In the heart of Jaipur, India, an illustrious bespoke rug atelier, rooted in a century-old legacy dating back to , stands as a testament to. However, the Embrace chair envisions an ecosystem where the whole structure is defined by a single fold, where the supports and seating become one entity. Log out. This three-bedroom, sq ft residence stands as a. Verify your email A verification code has been emailed to you. Best user experience: All Cookies Change cookie settings.

Text description provided by the architects.

For this project, we decided on a minimal materials palette of reclaimed teak, and brass and cane. Can you tell us about them and their lifestyle? Latest News. However, the Embrace chair envisions an ecosystem where the whole structure is defined by a single fold, where the supports and seating become one entity. Can functional pieces also be designed as art? Best user experience: All Cookies. Please specify. Material Concrete. Can we push a material to see it in a completely new light? The traditional definition of a chair includes four legs and a seating system.