Ceramic glaze ideas

If you've seen anything I have made in the last several years, you know that I'm a little bit obsessed with cool ceramic glaze colors.

Search Ceramic Recipes! How to use Ceramic Recipes! Browse the Ceramic Recipes archive! Low-fire commercial glazes can be successfully layered to build effects and change the appearance of the individual glazes. I have been testing glazes for many, many years and have either developed all of my own glazes or adjusted others to suit my glaze application methods and firing schedules. I prefer to use this L-shaped test tile design that I first came up with in graduate school when I taught the Raw Materials Lab class for my graduate assistantship under Val Cushing at Alfred University. While laboratories exist that will perform a battery of durability tests for a fee, there are several tests you can perform at your home or in your studio that indicate whether your work is appropriate for functional use.

Ceramic glaze ideas

Glazing pottery can be a tedious task. As a result, the glaze gets slopped onto the piece without enhancing its final form. Understanding the glazing process can also be difficult for students. They are unable to see the chemical changes that occur behind the scenes in the kiln. There are thousands of different glaze combinations to experiment with. From using high and low-fire to oxides and stains, there is a whole world to explore when it comes to glazes! Artmaking is not just about the final product; some of the most powerful learning comes from the process. The next time you start a pottery unit, consider having your students begin by creating test tiles to explore glazing first. Beginning with the end in mind will help them understand the procedural steps to reach their desired product. Bubble glazing is a favorite in the classroom, partially due to the process. Start by adding about three spoonfuls of water to a container, followed by three drops of soap. Add one spoonful of underglaze. Stir up the mixture and place the clay piece over a tray or large container to catch the glaze. Place your straw in the glaze and blow out bubbles. Manipulate the container, so the bubbles drop onto the clay piece.

Place your straw in the glaze and blow out bubbles. After you apply wax resist to a piece, you can apply the glaze of your choice.

One of the great things about ceramic arts is the nearly limitless ways you can express your creativity. Pottery glaze lets you add unique colors and textures to your pieces prior to firing. It is a great way to design a piece that is crafted to your artistic style while also defining how you like your finished ceramic pieces to look. Dipping is the easiest way to cover pottery and is done by most at some point. This form of glazing will give the finished piece a smooth look and fine texture.

Glazing is a means to add colors to your pottery. It adds a touch of finesse to pottery pieces, giving them vibrant colors, eye-catching textures, and a smooth finish. Another fun part of the pottery-making process and there are many ways to apply glazes, some trickier than others. So what are the different ways to glaze pottery? Typically, there are nine ways to apply glazes.

Ceramic glaze ideas

Click the orange "Download" button to get your copy of this free guide! If you don't see the orange "Download" button below, click "Log in or sign up" button to log in or set up your free Ceramic Arts Network account! Whether you are making functional pottery, ceramic sculpture or custom ceramic tile, there are glazes in this resource for you. All of these glazes come from different kilns, different firing cycles, different altitudes and indeed, different attitudes toward glazing and firing. Remember to mix up small batches at first and test them in your kiln, with your firing cycle and glazing attitude!

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Mocha Diffusion Mocha diffusion is a finishing technique that emulates small organic veins or tree-like forms. Start by adding about three spoonfuls of water to a container, followed by three drops of soap. Remember, glaze trailing lines rise as they are fired. You ideally should know: What each glaze looks like at various thickness. You ideally should know:. Nickel and titanium will give green in magnesium matte and zinc crystalline glazes. I had a decent idea what the colourants did, and could adjust those as needed, but the base glaze was a mystery to me. Low alumina and the addition of boron or barium carbonate also promote blue celadon colors. Read the full article! For more intricate designs, try holding your piece upright, so the vinegar mixture trickles down.

If you've seen anything I have made in the last several years, you know that I'm a little bit obsessed with cool ceramic glaze colors. And by "cool" I mean blues, greens, and turquoises, like these bottles by Lucy Burley.

Chromium oxide is not very soluble in glazes, except in high alkaline glazes, where it turns bright yellow-green. The glaze can begin to crawl if too many coats are applied. At the basic end you just want to understand how your glazes bought or made behave in various different conditions. Leave a comment below, email us at info diamondcoretools. Chromium oxide is refractory and toxic. Let the bubbles pop on the piece before you move it. The next time your students are glazing, try out some of these techniques to keep engagement high in the last stage of a ceramics lesson. Clean off any dust before glazing. Make sure your glaze is mixed thoroughly before applying. This form of glazing will give the finished piece a smooth look and fine texture. For best results, use a contrasting underglaze and glaze combination. Linda Bloomfield explains the chemistry behind cool ceramic glaze colors ranging from the palest yellow-greens to some terrific teals in this excerpt from her book Colour in Glazes. Browse the Ceramic Recipes archive!