Carolina herrera fall 2013

The New York calendar this fashion week is as full as it's siliconera been, and editors from here and away have been complaining more than ever before that the city has no barrier to entry, carolina herrera fall 2013. Unlike in Paris or Milan, anyone with a few bucks and a dream can find their way onto the official schedule.

With hints of a Forties heroine in mind, Carolina Herrera designed a collection about glamour and gumption. Dresses and gowns with high keyhole necklines had defined shoulders and teeny belted waists that highlighted the graceful movement of the fluid crepe skirts. Another beauty came in light blue silk charmeuse with a purple fox-fur collar. Sometimes, however, the add-ons were too much; one gown looked like it had two flower urchins tacked on its crisscross straps. Collection Gallery 41 Photos View Gallery.

Carolina herrera fall 2013

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Load More. The designer imagined a heroine of the s: With her victory-roll coif and her wasp-waisted dresses and full skirts, she was a kind of vixenish moll.

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The New York calendar this fashion week is as full as it's ever been, and editors from here and away have been complaining more than ever before that the city has no barrier to entry. Unlike in Paris or Milan, anyone with a few bucks and a dream can find their way onto the official schedule. From the opposite side of the spectrum comes Carolina Herrera. Even with a heavy rain shower, she filled the Lincoln Center theater venue; and for the occasion, not content to merely hire an expensive music director, she commissioned her own "Capriccio for Carolina. Herrera required the full symphonic talents of the London Contemporary Orchestra. To put it mildly. Herrera's collections don't often dovetail with the reigning trends of the season but they're fully realized enough to create their own realities. That was the case here, and more strongly than in seasons past. The designer imagined a heroine of the s: With her victory-roll coif and her wasp-waisted dresses and full skirts, she was a kind of vixenish moll. Herrera didn't stint on fur, which was one of the collection's major statements, whether wrapping around a bodice a bit much of a muchness or trimming felt belts that emphasized those tiny waists.

Carolina herrera fall 2013

With hints of a Forties heroine in mind, Carolina Herrera designed a collection about glamour and gumption. Dresses and gowns with high keyhole necklines had defined shoulders and teeny belted waists that highlighted the graceful movement of the fluid crepe skirts. Another beauty came in light blue silk charmeuse with a purple fox-fur collar. Sometimes, however, the add-ons were too much; one gown looked like it had two flower urchins tacked on its crisscross straps.

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Collection Gallery 41 Photos View Gallery. So tiny, in fact, you wondered how the collection might scale up to the size of regular women in place of the slivers on the runway today. Latest Shows Seasons Designers Featured. The New York calendar this fashion week is as full as it's ever been, and editors from here and away have been complaining more than ever before that the city has no barrier to entry. Collection Gallery 41 Photos. With hints of a Forties heroine in mind, Carolina Herrera designed a collection about glamour and gumption. Story Saved. Sign up for WWD news straight to your inbox every day. Beauty Gallery 13 Photos. View Gallery 41 Photos. Herrera didn't stint on fur, which was one of the collection's major statements, whether wrapping around a bodice a bit much of a muchness or trimming felt belts that emphasized those tiny waists. Banana Republic Fall Ready-to-Wear. Collection Look 1.

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Zambesi Fall Ready-to-Wear. Powered by WordPress. Look 3. Collection Look 1. Look 2. Image saved. That was the case here, and more strongly than in seasons past. The designer imagined a heroine of the s: With her victory-roll coif and her wasp-waisted dresses and full skirts, she was a kind of vixenish moll. With hints of a Forties heroine in mind, Carolina Herrera designed a collection about glamour and gumption. Dresses and gowns with high keyhole necklines had defined shoulders and teeny belted waists that highlighted the graceful movement of the fluid crepe skirts. So strongly, in fact, that you left wondering aloud: Who knew Zuzanna Bijoch could do such a passable Katharine Hepburn? Look 7. Versus Versace Fall Ready-to-Wear. Newsletters Sign up for WWD news straight to your inbox every day. Look 9.