By mimoza

Classically, mimosas are associated with bottomless brunches with a more sophisticated aesthetic attached. Yet, Mimoza is a new RTD mimosa that's taking a more playful route, with by mimoza typography and mesmerizing colors included. Designed by Drifting Creatives, this mimosa is perfect for brunch or the afterparty later that night, by mimoza.

Wait a moment, the fevers will be singing within me, Tiny groans will be heard, terribly subtle, In the heights of the brain, from the holes of the heart Broken, sombre, venomous You are going, you are leaving us, Thinking it's 'forever. Outside me The whole world reels in battle and dream. Senses, oh my first victims, You are open again, you are sucking again, cleansed You return to life. It would be awful Waking up the same every morning. You were once blue-coloured.

By mimoza

In the song "Mu ma le fajin" by Mimoza Shkodra, the lyrics delve into the complexities of a failed relationship and the feelings of guilt and love that linger afterwards. The song captures the emotions of heartbreak, self-reflection, and the desire to move forward. The opening lines, "Mu ma le fajin, Mu ma le, mu ma le fajin, Sa gabime ne ty gjeta" You blame me, you blame me, you blame me for all the mistakes I found in you , introduce the theme of blame and fault. The protagonist acknowledges the mistakes they have discovered in their partner, suggesting that these flaws contributed to the downfall of the relationship. The verse, "Jo nuk ta fali, Ty nuk ta fali, Prej teje mesova, Nuk jemi perfekt" I don't forgive you, you don't forgive me, From you I learned, We are not perfect , highlights the lack of forgiveness and acceptance that prevails between the two individuals. It acknowledges that they both played their part in the relationship's failure and that they have learned from their mistakes. This recognition indicates a certain level of personal growth and introspection. The pre-chorus, "Ndoshta gabum, Ne ndoshta u lendum, Ne ndoshta nuk e di, Jo nuk e di, A kishe faj, Ti ndoshta kisha faj, Une ndoshta nuk di pse, Mu fajin ma le" Perhaps we were wrong, Perhaps we got hurt, Perhaps we don't know, No, we don't know, Did you have fault, Maybe I had fault, Perhaps I don't know why, You blame me , further explores the uncertainty and self-doubt experienced by the protagonist. They question if they were at fault and if their actions caused the pain and dissatisfaction in the relationship. The line, "Mu fajin ma le" You blame me , reinforces the theme of blame, suggesting that the other person holds them responsible for the relationship's demise. Building upon these emotions, the chorus, "Mu ma le fajin, Mu ma le, mu ma le fajin, Sa gabime ne ty gjeta, E prape zemer te desha" You blame me, you blame me, you blame me for all the mistakes I found in you, and still, I love you , reveals the complexity of the protagonist's feelings. Despite the hurt and pain caused by the mistakes they discovered in their partner, they admit that they still love them. This juxtaposition of emotions showcases the conflicting nature of love and how it can persist even after witnessing someone's flaws. In the second verse, "S'lahen gjynahet, o jeta ime, Tu thon me zemer: 'Te dua ty, drite', Mdoje si emer apo si femer, Cfare te mendoj kur ti me nuk ke shpirt" The sins don't wash away, oh my life, You say to me with heart: 'I love you, light', Do you like a name or like a woman, What should I think when you don't have a soul , the protagonist reflects on the unchanging nature of mistakes and the profound impact they have on their life. The line, "What should I think when you don't have a soul," suggests that the other person lacks emotional depth, which further complicates the protagonist's feelings.

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Representations of women in war, particularly in media, often tend to be simplistic readings of their roles and positions in such contexts. In addition, state-centric and western approaches to war often fail to properly grasp the experiences of resistance among oppressed and colonised peoples, especially of those in guerrilla movements. Upon joining the KLA, Mimoza was 16 years old and she turned 17 during the war. As such, her experience of the war is not only one of a guerrilla soldier, one of a woman, or one of a teenager; it is all three. During our discussion, Mimoza told me how tired she was of all the interviews she went through, in which the main and only focus of her interviewers had been the gendered perspective of this experience. To her, and one might assume this is the case for many more women guerrilla soldiers, this was reductionist. Mimoza does not deny gender as an important factor in this context.

Walk us through your writing and production process in making this track. I always dig deep. I can only write about things that are honest to me. So I honored my truth and wrote about my story, and what I believed made me who I am today. We love the opening scene where you see three different generations of Albanian women. What advice would you give the next generation of girls? I purposely wanted to start the video with this scene. It was important that the first sec of the video sets the tone. And I wanted to show the beauty in our mother daughter bonds, the beauty of our traditional clothes and the beauty of Kosovo. And she loved them.

By mimoza

An iconic brunch cocktail , the mimosa is a simple drink to make. Both casual and festive, it's perfect for any occasion, from holidays to Mother's Day and showers to a weekend brunch. Named after the yellow mimosa flower, with one sip of this bubbly, fruity cocktail, you'll realize why it's been a favorite day-drinking choice since the s. To make a classic mimosa, you'll need well-chilled orange juice and sparkling wine. The recipe creates a semi-dry mimosa, and you can easily make it sweeter by pouring the two ingredients equally. Choose Champagne if you like, or save money with a nice prosecco or cava. The triple sec is optional Cointreau is an excellent choice but recommended. The orange liqueur adds dimension and its sweetness marries the sweet-tart juice and dry wine beautifully. The best part of the mimosa is that the wine's bubbles mix the drink for you.

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According to her, this was because of the deep support that women in the KLA received from their male comrades, who were always there for them. Mimoza Ahmeti Poems. The opening lines, "Mu ma le fajin, Mu ma le, mu ma le fajin, Sa gabime ne ty gjeta" You blame me, you blame me, you blame me for all the mistakes I found in you , introduce the theme of blame and fault. Without abandoning her post, she and her battalion tended to her injury while in the mountains. The protagonist acknowledges the mistakes they have discovered in their partner, suggesting that these flaws contributed to the downfall of the relationship. Read Poem. During our discussion, Mimoza told me how tired she was of all the interviews she went through, in which the main and only focus of her interviewers had been the gendered perspective of this experience. Senses, oh my first victims, You are open again, you are sucking again, cleansed You return to life. The pre-chorus, "Ndoshta gabum, Ne ndoshta u lendum, Ne ndoshta nuk e di, Jo nuk e di, A kishe faj, Ti ndoshta kisha faj, Une ndoshta nuk di pse, Mu fajin ma le" Perhaps we were wrong, Perhaps we got hurt, Perhaps we don't know, No, we don't know, Did you have fault, Maybe I had fault, Perhaps I don't know why, You blame me , further explores the uncertainty and self-doubt experienced by the protagonist. Of course, while most of our conversation was inspiring and showed how joining the KLA was a decision that Mimoza would make over and over again, the dark realities of war were touched upon as well. She says this is because all of them knew exactly where they were going. They were heading towards an almost certain death. Mimoza does not deny gender as an important factor in this context. This series of articles has hopefully given you a glimpse of what it was like to be a woman guerrilla soldier in the Kosovo Liberation Army. In the second verse, "S'lahen gjynahet, o jeta ime, Tu thon me zemer: 'Te dua ty, drite', Mdoje si emer apo si femer, Cfare te mendoj kur ti me nuk ke shpirt" The sins don't wash away, oh my life, You say to me with heart: 'I love you, light', Do you like a name or like a woman, What should I think when you don't have a soul , the protagonist reflects on the unchanging nature of mistakes and the profound impact they have on their life.

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Search for posts featuring the color value of 97baf9. Nisa Sherifi. Ultimately, it serves as a reminder of the intricacies of the human heart and the struggle to make sense of love's contradictions. Few can say that they truly risked everything to defend their loved ones, their people, their community and country; few can say they truly fought for self-determination. Upon joining the KLA, Mimoza was 16 years old and she turned 17 during the war. Are the names of kings, merchants and diplomats Once again to be imposed on memory? Hit Title Date Added. In addition, state-centric and western approaches to war often fail to properly grasp the experiences of resistance among oppressed and colonised peoples, especially of those in guerrilla movements. Poems About. The opening lines, "Mu ma le fajin, Mu ma le, mu ma le fajin, Sa gabime ne ty gjeta" You blame me, you blame me, you blame me for all the mistakes I found in you , introduce the theme of blame and fault. This meaning interpretation was written by AI. Oh, eternal and omnipotent silence, From you I arose, in an endeavour To return to you. The protagonist acknowledges the mistakes they have discovered in their partner, suggesting that these flaws contributed to the downfall of the relationship. But at least, we expect empathy.